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Credits/Projects

Here you can find some (not all!) of the projects I have worked on so far. These experiences have had a great influence on my teamwork and communication skills, as well as  provided me thorough knowledge about the animation pipeline. Taking on many different roles in these productions has helped me gain an understanding of the challenges of the entire production, which helps me foresee any possible issues early and enables me to confidently confront them as soon as they appear.

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Love & Strife

2025, ongoing

Love creates life, but only Strife teaches her that true creation needs change and that evolution is nature’s way of growing.

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Jay Mehta's Love & Strife is a project I'm currently volunteering to do 2D FX for. It is an absolute joy to animate in such a gorgeous art style with a focus on very fluid FX, and help bring this film to life! Working directly with the director for feedback reduces turnaround times significantly, and creates a smooth workflow.

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SWIFT: Power of the Paragon

2025, ongoing

Submersed

2024 - 2025, ongoing

Submersed follows three explorers on an alien planet, VITA I. The three explorers, Audre, Jean-Luc, and George, explore through the uncharted planet on their submersible, the ATHENA I as they are tempted to venture off course. Soon, they find themselves surrounded by oceanic mystery, horrifying discoveries, and frustrations with each other that they cannot escape.

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Being a part of the FX team on Anachronaut Productions' Submersed helped me get used to working, receiving feedback and communicating with the team completely remotely. That, and I registered as a freelancer, which included extensive research into international work, transactions and taxes... And now I am confident in my knowledge about this part of my work, too! 

Prosperity Studios' first Anime-style series.

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Prosperity Studio's SWIFT is the first series I'm working on 2D FX and Clean-Up for. After a few weeks, I took on the role of lead FX artist and have since been responsible for a small number of artists within that department. Scheduling meetings with the other leads, and also with the other FX artists, developing a style for the show's FX as well as character specific FX, creating Toon Boom Harmony templates and helping out with the production bible has since been part of my job.

Blanka's Story

2021 - 2022

The serene life of a Jewish family is disrupted by the start of World War II and the Nazi occupation of Poland. Violence rips the family apart, but hope and tradition persevere with the two surviving daughters of the family.

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The RTS Devon & Cornwall winner Blanka's Story is a short film made for Kehillat Kernow and Cornwall Faith Forum in order to be included in an educational package for schools across the UK. For this film I took on many roles, including the producer, 2D FX animator, character animator, colourist, writer, compositor and others. While working on this project I learned how to manage a core team and freelancers, stay in close contact with the clients, work with their ideas and towards their goals, manage time and deal with any problems that may arise for the team as well as see a project through from the very beginning until the end while working within the time constraints of a deadline.

Middle Watch

2021 - 2022

As World War II draws to a close, a sailor aboard ship in the Indian Ocean must do his duty; watch must be kept, the horizon scanned for enemy craft and the bubble trails of deadly torpedoes fired from stealthy submarines.  Haunted and scarred by conflict and the loss of fellow shipmates, our sailor's task is the Middle Watch, or graveyard watch, as old mariners call it. But, as he goes about his duties, in the small hours of the morning, his routine is shattered by an extraordinary encounter that could tip the balance of his troubled state of mind.

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The BAFTA nominated film Middle Watch provided me with my first opportunity on a big international team that held us to very high professional standards. On this project I was working as a Clean-Up artist under two supervisors, one of which was one of the co-directors. Here, I learned how to work conscisely and detail-oriented while making sure to deliver finished work in a timely manner, as well as communicate any issues clearly and ahead of time. 

Whale Fall

2022 - 2023

Whale Fall is an experimental animated short about the strange creatures which grow and survive on a whale carcass deep in the ocean. The name comes from the "Whale Fall" phenomenon, where the death of a whale supports the growth of an ecosystem. The coastal setting of Falmouth provided significant motivation for our project, in addition to the works of Studio Ghibli and films that prioritize visual storytelling over narrative, such as Fantasia.

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On Whale Fall I took on the role of lead 2D FX artist. For a long time I was also the only FX animator on the team. Working on this project helped me develop a good way of communicating any details about 2D FX to a team who has little to no experience or knowledge about the topic. It also taught me about the issues that may arrise due to this and how to anticipate and prepare for them them ahead of time.

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SWIFT: Power of the Paragon

2025, ongoing

Prosperity Studios' first Anime-style series.

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Prosperity Studio's SWIFT is the first series I'm working on 2D FX and Clean-Up for. After a few weeks, I took on the role of lead FX artist and have since been responsible for a small number of artists within that department. Scheduling meetings with the other leads, and also with the other FX artists, developing a style for the show's FX as well as character specific FX, creating Toon Boom Harmony templates and helping out with the production bible has since been part of my job.

Little Minotaur

2023

A minotaur is born to the Queen of Crete. Will a mother's unconditional love for her son prevail against predjudice?

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I joined the team of Little Minotaur halfway through the production, as the only FX artist. As with Whale Fall, it greatly furthered my communication skills. This project was also one of the ones that helped me learn how to successfully match my animations to a film's unique art style without being given a FX design beforehand.

Bildschirmfoto 2025-06-26 um 18.00.35.png

SWIFT: Power of the Paragon

2025, ongoing

Prosperity Studios' first Anime-style series.

-

Prosperity Studio's SWIFT is the first series I'm working on 2D FX and Clean-Up for. After a few weeks, I took on the role of lead FX artist and have since been responsible for a small number of artists within that department. Scheduling meetings with the other leads, and also with the other FX artists, developing a style for the show's FX as well as character specific FX, creating Toon Boom Harmony templates and helping out with the production bible has since been part of my job.

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